Adolph Menzel
Adolph Menzel's Oil Paintings
Adolph Menzel Museum
December 8, 1815 Breslau - February 9, 1905 Berlin.

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Here are all the paintings of Camille Pissaro 01

ID Painting  Oil Pantings, Sorted from A to Z     Painting Description
4343 Apple Picking at Eragny sur Epte Camille Pissaro Apple Picking at Eragny sur Epte 1888 Dalla Museum of Art
4289 Countryside and Eragny Church and Farm Camille Pissaro Countryside and Eragny Church and Farm 1895 Musee d'Orlay, Paris
4333 Girl Sewing Camille Pissaro Girl Sewing 1895 Art Institute of Chicago
21094 Harfrost (mk06) Camille Pissaro Harfrost (mk06) 1873 2' 1 1/2'' x 3' 1''(65 x 93 cm)Bequest of Enriqueta Alsop,1972 RF 1972-27
4297 Hoarfrost Camille Pissaro Hoarfrost 1873 Musee d'Orlay, Paris
4309 Hyde Park, London Camille Pissaro Hyde Park, London 1890
4313 Kew, The Path to the Main Conservatory Camille Pissaro Kew, The Path to the Main Conservatory 1892
4294 Kitchen Garden with Trees in Flower, Pontoise Camille Pissaro Kitchen Garden with Trees in Flower, Pontoise 1877 Musee d'Orlay, Paris
4335 La Cote des Boeufs, The Hermitage Camille Pissaro La Cote des Boeufs, The Hermitage 1877 National Gallery, London
4284 Landscape at Chaponval Camille Pissaro Landscape at Chaponval 1880 Musee d'Orlay, Paris
4332 Louveciennes : The Road to Versailles Camille Pissaro Louveciennes : The Road to Versailles 1870 Foundation E.G.Buhrie Collection, Zurich
4328 Morning Sunlight on the Snow, Eragny sur Epte Camille Pissaro Morning Sunlight on the Snow, Eragny sur Epte 1895 Museum of Fine Arts, Boston
4339 Orchard in Bloom at Louveciennes Camille Pissaro Orchard in Bloom at Louveciennes 1872 17 3/4" x 21 5/8" National Gallery of Art, Washington DC
4340 Orchard in Bloom at Louveciennes Camille Pissaro Orchard in Bloom at Louveciennes 1872 17 3/4" x 21 5/8" National Gallery of Art, Washington DC
4322 Portrait of Madame Pissarro Sewing near a Window Camille Pissaro Portrait of Madame Pissarro Sewing near a Window 1878-79 Ashmolean Museum, Oxford
4317 Resting in the Woods at Pontoise Camille Pissaro Resting in the Woods at Pontoise 1878 Kunsthalle, Hamburg
4286 Self Portrait Camille Pissaro Self Portrait 1873 Musee d'Orlay, Paris
4326 Sunlight on the Road, Pontoise Camille Pissaro Sunlight on the Road, Pontoise 1874 Museum of Fine Arts, Boston
4330 Sunset at St. Charles, Eragny Camille Pissaro Sunset at St. Charles, Eragny 1891 Sterling & Francine Clark Art Institute, Williamstown, Mass
4341 The Artist's Garden at Eragny Camille Pissaro The Artist's Garden at Eragny 1898 29" x 36 3/8" National Gallery of Art, Washington DC
20786 The Church of St.Jacques at Dieppe (san08) Camille Pissaro The Church of St.Jacques at Dieppe (san08) 1901 1' 9 1/2"2' 1 3/4"(54.5x65.5cm)
40750 The Crossroads,pontoise Camille Pissaro The Crossroads,pontoise mj156 1872 Oil on canvas 54.9x94cm
4114 The Hermitage at Pontoise Camille Pissaro The Hermitage at Pontoise 1867 59 5/8 x 79 in (151.4 x 200.6 cm) Solomon R Guggenheim Museum, New York
4281 The Hermitage at Pontoise Camille Pissaro The Hermitage at Pontoise 1867 59 5/8 x 79 in (151.4 x 200.6 cm) Solomon R Guggenheim Museum, New York
4303 The Old Market Town at Rouen Camille Pissaro The Old Market Town at Rouen 1898 The Metropolitan Museum of Art, New York
4338 The Pork Butcher Camille Pissaro The Pork Butcher 1883 Tate Gallery, London
4334 The Railway Bridge, Pontoise Camille Pissaro The Railway Bridge, Pontoise 1873
48691 Unknown work Camille Pissaro Unknown work mk191 1867 91x150.5cm
43349 View from Louveciennes Camille Pissaro View from Louveciennes mk170 1869-1870 Oil on canvas 52.7x81.9cm
4342 Washerwoman, Eragny sur Epte Camille Pissaro Washerwoman, Eragny sur Epte 1895
20784 Woman in a Field;Spring Sunlight in the Meadow at Eragny,summer (san07) Camille Pissaro Woman in a Field;Spring Sunlight in the Meadow at Eragny,summer (san07) 1887 1' 91/2"x2' 1 1/2"(54.5x65cm) Bequest of Antonin Personnaz

Camille Pissaro
1830-1903 French Camille Pissarro Locations Painter and printmaker. He was the only painter to exhibit in all eight of the Impressionist exhibitions held between 1874 and 1886, and he is often regarded as the father of the movement. He was by no means narrow in outlook, however, and throughout his life remained as radical in artistic matters as he was in politics. Thadee Natanson wrote in 1948: Nothing of novelty or of excellence appeared that Pissarro had not been among the first, if not the very first, to discern and to defend. The significance of Pissarro work is in the balance maintained between tradition and the avant-garde. Octave Mirbeau commented: M. Camille Pissarro has shown himself to be a revolutionary by renewing the art of painting in a purely working sense; at the same time he has remained a purely classical artist in his love for exalted generalizations, his passion for nature and his respect for worthwhile traditions.
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