Adolph Menzel
Adolph Menzel's Oil Paintings
Adolph Menzel Museum
December 8, 1815 Breslau - February 9, 1905 Berlin.

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Adolph von Menzel
Eisenwalzwerk
between 1872(1872) and 1875(1875) Medium Oil on canvas Dimensions Deutsch: 158 x 254 cm cjr
ID: 88197

Adolph von Menzel Eisenwalzwerk
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Adolph von Menzel Eisenwalzwerk


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Adolph von Menzel

1815-1905 German Adolph von Menzel Gallery His father was the headmaster of a school for girls, and intended to educate his son as a professor; but he would not thwart his taste for art. Left an orphan in 1832, Menzel had to maintain his family. In 1833 Sachse of Berlin published his first work, an album of pen-and-ink drawings reproduced on stone, to illustrate Goethe's little poem, Kunstlers Erdenwallen. He executed lithographs in the same manner to illustrate Denkw??rdigkeiten aus der brandenburgisch-preussischen Geschichte; The Five Senses and The Prayer, as well as diplomas for various corporations and societies. From 1839 to 1842 he produced 400 drawings, largely introducing to Germany the technique of wood engraving, to illustrate the Geschichte Friedrichs des Grossen (History of Frederick the Great) by Franz Kugler. He subsequently brought out Friedrichs der Grossen Armee in ihrer Uniformirung (The Uniforms of the Army under Frederick the Great), Soldaten Friedrichs der Grossen (The Soldiers of Frederick the Great); and finally, by order of the king Frederick William IV, he illustrated the works of Frederick the Great, Illustrationen zu den Werken Friedricks des Grossen (1843-1849). By these works Menzel established his claim to be considered one of the first, if not actually the first, of the illustrators of his day in his own line. Pencil drawing by Menzel, 1891.Meanwhile Menzel had set himself to study unaided the art of painting, and he soon produced a great number and variety of pictures, always showing keen observation and honest workmanship in subjects dealing with the life and achievements of Frederick the Great, and scenes of everyday life, such as In the Tuileries, The Ball Supper, and At Confession. Among the most important of these works are The Forge (1875) and The Market-place at Verona. Invited to paint The Coronation of William I at Koenigsberg, he produced an exact representation of the ceremony without regard to the traditions of official painting. In Germany he received many honors, and was the first painter to be given the Order of the Black Eagle in 1898 which included a title of nobility, becoming von Menzel.  Related Paintings of Adolph von Menzel :. | Friedrichsgracht bei Mondschein | German:Bauplatz | Plaster Casts on the Studio Wall | Peasant with a Three-Cornered Hat | The Artist-s Bedroom in the Ritterstrabe |
Related Artists:
Peter Nicolai Arbo
(June 18, 1831 - October 14, 1892) was a Norwegian painter, who specialized in painting motifs from Norwegian history and images from Norse mythology. He is above all noted for Åsgardsreien, a dramatic motif based on a Norwegian folk legend and Valkyrie, which depicts a female figure from Norse mythology. Peter Nicolai Arbo grew up at Gulskogen Manor in Gulskogen, a borough in Drammen, Norway. He was the son of headmaster Christian Fredrik Arbo (1791-1868) and his wife Marie Christiane von Rosen. His brother Carl Oscar Eugen Arbo was a military medical doctor and a pioneer in Norwegian anthropologic studies. Arbo's childhood home, Gulskogen, was built in 1804 as a summer residence for his older cousin, lumber dealer and industrialist Peter Nicolai Arbo.Arbo started his art education with a year at the Art School operated by Frederick Ferdinand Helsted (1809-1875) in Copenhagen 1851-1852. After this, he studied at the art academy in Dusseldorf. From 1853 to 1855 he studied under of Karl Ferdinand Sohn, professor of The Dusseldorf School of Art, and from 1857-1858 under J. E. Henthen who was a battle and animal painter. At Dusseldorf he was for some time a private student of the history painter C. Mengelberg. He had contact with Adolph Tidemand and became a good friend of Hans Gude both of whom were professors at the art academy in Dusseldorf.
Ortiz, Francisco Pradilla
Spanish, 1848-1921 Spanish painter and museum official. He first studied in Saragossa with the stage designer Mariano Pescador (d 1886), and in 1866 moved to Madrid where he began to work with the stage designers and decorators Ferri and Busato. He entered the Escuela Superior de Pintura, Escultura y Grabado and also attended the Academia de Acuarelistas. In 1873 Pradilla and his fellow student Casto Plasencia (1846-90) won history painting scholarships to study at the newly founded Academia Espaola de Bellas Artes in Rome. In 1874 he sent from Rome a copy of Raphael's Dispute over the Holy Sacrament, a work Pradilla completed in collaboration with Alejandro Ferrant (b 1844), another Spanish scholarship holder. During Pradilla's second and third years abroad he travelled through France, visiting the Paris Exposition Universelle of 1875, and Italy, where he was particularly impressed by Venice and the works of Veronese, Titian and Jacopo Tintoretto. Pradilla won a major prize in 1878 at the Exposicien Nacional de Bellas Artes in Madrid; as a result of this success he received the commission for another large picture on a historical theme, the Surrender of Granada (1882; in situ) for the Palacio del Senado (now Pal. de las Cortes) in Madrid. This work shows Pradilla's concern to paint from life in his treatment of the landscape of Granada. He produced other paintings on related subjects, including Mad Queen Joanna Imprisoned at Tordesillas (priv. col., see Pardo Canalis, pl. xviii) and the Sigh of the Moor (Madrid, Rodriguez Bauz priv. col., see Pardo Canalis, pl. xvii). Pradilla also painted lively scenes of local life and colour. The years of his stay in Rome, where he was director of the Academia Espaola between 1881 and 1883, allowed him to get to know the country around Rome and many other places in Italy.
NIEULANDT, Adriaen van
Flemish/Dutch painter (b. 1587, Antwerpen, d. 1658, Amsterdam).






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